I think Mike was selling them, just himself. I should have gotten copies of his books when I had the chance, but his web store is down (he says. Mike Mangini’s Rhythm Knowledge. Front Cover. Mike Mangini, Frank Dolan Bibliographic information. QR code for Mike Mangini’s Rhythm Knowledge. Mike Mangini is a role model for music education. His dedication to understanding all aspects of rhythm and to playing with emotion and confidence is incessant.

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Mangini, Mike: Rhythm Knowledge Vol.1

Send a private message to whitecatcafe. I will certainly try and incorporate those methods into my own practice. Mike Mangini Rhythm Knowledge Practice Confusion I remember trying to 90 minutes practice schedule, but it was too much for me. For instance, say I’m practising Stick Control.

Again, your time signature becomes irrelevant and the speed at which you play it is all that matters. Send a private message to Elpecs. I also try and repeat that same exercise for the next few weeks. I’d be really interested in your thoughts on this, as, like many people, I want to take my drumming as far as I can and get the most out of every session.

Very informative, and just what I was looking for. If I’m in a sour mood, practicing won’t work, because I will not be as patient then as I will be later. This would be an example.

Work up to 90 minutes over a reasonable period of time, say a few weeks to months. Originally Posted by Jeff Almeyda I studied with Mike for some time and he explained it to me as “recording a motion into your muscle memory”. As I say, after seeing him in clinic a few times, this seems to be the way he looks at things. Find all posts by Eyamsiyu.

Home | Mike Mangini’s Rhythm Knowledge & Online Store

Then when it went together, they heard the phrasing and it all made sense. You could do this with doubles, paradiddles, hands, rhytym And now to the main part, all the permutations: Time signature becomes irrelevant, and you pay attention to speed you should use a non-accented click for your time keeper.


And while I will admit, I only actively apply those two principles in his book, a lot of other things written in there are common sense. Hey everyone, I hope someone could help me out here: If you have the patience, go for it.

And I repeat that cycle until it gets boring. It’s more about the musical phrase being in time, than it is about the time signature itself. In the last clinic, he was like ‘So this fill is in 12’s, well, it’s 27 hits’ and then he’d play it. I don’t own Volume II yet if I ever will.

He strongly recommends playing larger odd subdivisions such as 13 or 17 notes per beat because the concentration required to count such unfamiliar note groupings will serve to keep the tempo down and allow you to really do it right. General Discussion General discussion forum for all drum related topics.

I’ve read Mangini’s Rhythm Knowledge, which really appealed to my inner scientist, but since then I’ve struggled to practice confidently. How exactly is it meant to be played together?

I’m no Mike Mangini rhthm I have seen him in clinic several times and listening to him talk, I think you are over-analyzing it. For a while, I followed his advice and worked in 90 minute blocks for individual exercises, but was never confident I was “doing it right”.

Mangini, Mike: Rhythm Knowledge Vol.1 – Brandt – Percussion-Noten-Versand

The bottom row, I write exercises, and the left column, I write different tempi. He finds the common between the two and goes off of that. Send a private message to CtrStDrumSchool.

You would practice any exercise that incorporated that motion for 90 minutes non stop.

So when looking at permutations, if you are using a 5 beat pattern and a 6 beat pattern, every 5 repetitions manini the six the one lines up for both. If I don’t get any responses this time around, I’ll leave it.


All times are GMT Originally Jnowledge by Eyamsiyu I’m also applying the Rhythm Knowledge method to my practicing, albeit only a few certain pages in the book. When playing the e. The idea is to take a motion that you wish to improve.

Sorry to bump kmowledge thread, but I’d really like some thoughts on this. Find all posts by CtrStDrumSchool. I find it better to practice stuff till it feels and sounds good, and really being aware of what I’m doing instead of having an eye to a clock. For this, I would just spend a lot of time playing it half speed, then full speed, then as slow as you can bear to play it, and speed it up from there.


Jeff Almeyda and Eyamsiyu Thank you very much! Use this forum to exchange ideas and information with your fellow drummers. I remember trying to 90 minutes practice schedule, but it was too much for me.

Most of the time playing in a metal band, the guitar player would lay down a riff and I would say ‘Okay, 5, Knowledgw got it’. The common denominator is the motion of the single stroke roll.

Originally Posted by ZiGglA. Now for me, why I do all of this is to be able to get as much done, with as much positive progress, at the fastest rate while not getting bored.

mahgini I would not recommend jumping from “regular” practice right into a 90 minute single stroke roll. Find all posts by Elpecs. John Riley comping exercises: I’m not quite sure how Mike meant for that to be applied; for all his intelligence and drumming ability, the books aren’t very well written, nor are they very pragmatic.